Director Ritesh Batra discusses his film, The Lunchbox, which releases this week.
A summary of sports events and sports persons, who made news on Wednesday
A look at the top tweets from your favourite Bollywood celebrities.
Stars spotted at the screening of Sarbjit in Mumbai.
A look at the top tweet top tweets from your favourite Bollywood celebrities.
A look at the top tweets from your favourite Bollywood celebrities.
Sonam Kapoor turns 31 today!
'My father never saw any success for me. 'When I meet him in the next world, I will proudly say that I didn't buy houses and cars, but I made some art that will hopefully stand the test of time.'
Cut to 2019, and his name evokes grief and anger among more than 40,000 homebuyers who are fighting for the keys to their flats, which they should have rightfully got more than seven years back.
The ad films -- that highlight the organization's campaign against domestic violence --were screened recently at the Cannes Lions 57th International Advertising Festival in France, considered by many to be the world's biggest celebration of creativity in communications.
'This world shows humanity in a fraudulent light.'
Red carpet staple Marchesa, owned by Harvey Weinstein's wife, may pay the price.
The journey of the digitally restored version of The Apu Trilogy is packed with dark stories and years of near detective work by those determined to preserve some of Satyajit Ray's finest works.
'The standing ovation in Cannes was a rare moment where I felt patriotic. I realised that the audience was not clapping for an individual but for the team that came from India with such a beautiful film.' Masaan's leading man Vicky Kaushal takes us through its making.
Deepak Sandhu, who has been an information commissioner for the last four years at the Centre, on Thursday became the first woman Chief Information Commissioner of the country.
'When we make these action machismo films, the stupidest thing is to show that the hero sails through a thousand people. It's a tradition we have grown up with.' 'We don't have the basis of creating a Bruce Lee or a Jackie Chan.'
'I want to go back to India after my success here.'
Cannes award-winning director Murali Nair talks about his latest, Unni.
Deepika Padukone is ready for the foreign press once again.
'In India, dark-skinned actors are always cast in a particular kind of role.'
What you need to know about M S Sathyu's classic Garm Hawa.
The only quiz that'll settle for once and for all the debate over heels!
Here's a look at some Hollywood films that just didn't come to our theatres.
Aseem Chhabra introduces us to the best of Berlinale.
A childhood favourite turned silver. A childhood icon passed away. And a childhood heartthrob from Hollywood showed up to surprise a movie screening. Sukanya Verma's super-filmi week.
We saw a *lot* of glamour and style this year.
Such was the reaction to the actor's tweet that his name had started trending with many on social media lashing out against Oberoi.
In our special series re-visiting great Hindi film classics, Sukanya Verma looks back at Raj Kapoor's Boot Polish (1954), starring Baby Naaz and Ratan Kumar.
'Until I remove that character from my head and empty the space, other characters cannot take that place.'
'I don't prepare (for a character), I become it. I don't have to think about a character too much, I become it. I give a lot of attention to detailing. Once I become the character, I go and deliver the scene.' Aishwarya Rai Bachchan gives us an insight into her life.
The bag at Cannes this year may not have been heavy, but there's growing global recognition for India's advertising creatives.
Music composer M Ghibran talks about his experience of working with Kamal Haasan on Uttama Villain.
To an award show that's famous for honouring artists belatedly, we have sent as our official entry one of our major film-makers's weakest work yet, feels Sreehari Nair.
In this excerpt from a conversation with Samik Bandopadhyay, Mrinalda discusses three legendary actors he has worked with.
The long-awaited book is frank, funny, self-lacerating and full of gossip worthy anecdotes. What else could we ask of the Rocketman?
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